MAXIMILIAN
Film Music Composer  ·  Brixen, Italy
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About Instruments Theory Stage Contact
Born 7. · August · 2007 · Brixen, Italy

MAXIMILIAN Aichner

Film Music Composer · Musician · Actor

Discover the Artist
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“Without music, life would be a mistake.”

— Friedrich Nietzsche

Maximilian Aichner
The Artist

The Resonance

Maximilian Aichner was born on August 7th, 2007 in Brixen, a small town in the Alps. Growing up there, he developed an early interest in how sound can express things words often can’t — especially mood and emotion.

He’s involved in music and acting, and plays several instruments including electric bass, piano, and guitar, which he keeps improving on his own. He also works with synthesis and enjoys experimenting with sound in general.

Right now, he’s finishing school at Tschuggmall in Brixen and is gradually shaping his path toward working in music and film, focusing on creating emotional and atmospheric compositions.

Timeline
The Journey

A Life Built on
Dedication

2007
Born in Brixen
A life begins in the shadow of the Dolomites, where music echoes between cathedrals and Alpine stone.
2014
Theater Begins
The stage calls. What begins as a seven-year-old's curiosity becomes over a decade of dramatic craft — learning how emotion moves through a body, a voice, a silence.
2017
Double Bass — The First String
Formal music school training begins with the double bass. The architecture of harmony and the physics of the low register become a first language in sound.
2020
Electric Bass & Piano Awaken
The transition from double bass to electric bass opens new sonic territory. Simultaneously, piano begins — entirely self-taught, driven by instinct and obsession, with no teacher but the ear.
2023
Royal Albert Hall, London
The defining performance: part of a choir of approximately 600 voices before 17,000 people in one day and one of the world's most legendary concert halls — the largest stage of his life.
2024
Guitar — The Palette Widens
The harmonic foundation of years on bass translates naturally to guitar, adding textural color and atmospheric layers to an ever-expanding compositional voice. Continuously learning.
2025
Synthesis & Music Theory
Serious, systematic study of synthesizers, sound design, and music theory begins — learning the architecture behind the emotions that make cinematic scores unforgettable.
Instruments
The Arsenal

Instruments &
Voices

Maximilian actively plays and continuously develops all of the following instruments — each one a different window into the world of cinematic sound.

Electric Bass
Electric Bass
Since 2020 · Formally Trained

Three years on double bass built an unshakeable harmonic foundation before Maximilian transitioned to electric bass — developing the rhythmic intuition and tonal sensitivity that now underpins every composition he writes.

Piano
Piano
Since 2020 · Self-Taught

Entirely self-taught — no teacher, only instinct, ear, and relentless practice. The piano is where Maximilian composes, explores harmony, and gives cinematic ideas their first form. It is the heart of his creative process.

Guitar
Guitar
Since 2024 · Continuously Learning

Born naturally from a bassist's hands and harmonic instincts. Guitar adds textural color arpeggiated atmosphere, ambient chords, rhythmic layers that bridge the acoustic and electronic worlds Maximilian inhabits simultaneously.

Synthesizer
Synthesizers
Since 2025 · Deep Study

The newest and most cinematic frontier. Deep study of synthesis, modular design, and electronic texture — the language of Zimmer, Cliff Martinez, and the intimate electronic atmospheres that make a theater feel like the inside of a dream. It all takes shape in Cubase, his digital studio for composing and producing.

Theory
The Architecture of Sound

Music Theory &
Harmonic Thinking

In 2025, Maximilian began the most intellectually demanding chapter of his musical life — the serious, systematic study of music theory. Not as an academic obligation, but as an obsession: the desire to understand why certain combinations of notes make entire theaters hold their breath.

His theoretical focus is unambiguously cinematic: harmony as emotional architecture, orchestration as storytelling, and sound structure as the invisible grammar that tells an audience what to feel before a single actor speaks. He brings a composer's ambition to the study of what makes music move people.

2025
Serious theory study begins
Harmony Counterpoint Orchestration Modal Theory Cinematic Composition Sound Structure Emotional Storytelling Voice Leading Leitmotif Electronic Sound Design
Film
Score
Harmonic Universe
The Stage
Performance Experience

Born for the
Stage

Across 13 years of theater and music, Maximilian has performed on many stages throughout Europe. One performance, however, stands alone.

The Defining Performance
ROYAL
ALBERT HALL
London, England · 2023

As part of a choir of approximately 600 voices, Maximilian performed on one of the most iconic stages in the world — before a total audience of approximately 17,000 people in a single day. A landmark moment in a performance life that had already spanned many theaters and concert halls throughout Europe. His biggest stage yet.

~600
Choir Members
17,000
Live Audience
2023
Year

To be honest, while everyone else focused on singing and performing, I was busy imagining how Cornfield Chase would sound on the organ....

Contact
Get in Touch

Let's Create
Something Eternal

Have a film, a project, or an idea that needs a sound? Maximilian is always open to new collaborations and good conversations about music — feel free to reach out.

Email Instagram SoundCloud — Coming Soon